Moon-Face and Other Stories Page 11

  “The slavery was love’s slavery. It was just my love for you that made you swallow up all my days. You did not force yourself into my thoughts. You crept in, always, and you were there always—how much, you will never know.

  “But as time went by, Aunt Mildred and Uncle grew to dislike you. They grew afraid. What was to become of me? You were destroying my life. My music? You know how my dream of it has dimmed away. That spring, when I first met you—I was twenty, and I was about to start for Germany. I was going to study hard. That was four years ago, and I am still here in California.

  “I had other lovers. You drove them away—No! no! I don’t mean that. It was I that drove them away. What did I care for lovers, for anything, when you were near? But as I said, Aunt Mildred and Uncle grew afraid. There has been talk‹friends, busybodies, and all the rest. The time went by. You did not speak. I could only wonder, wonder. I knew you loved me. Much was said against you by Uncle at first, and then by Aunt Mildred. They were father and mother to me, you know. I could not defend you. Yet I was loyal to you. I refused to discuss you. I closed up. There was half-estrangement in my home—Uncle Robert with a face like an undertaker, and Aunt Mildred’s heart breaking. But what could I do, Chris? What could I do?”

  The man, his head resting on her knee again, groaned, but made no other reply.

  “Aunt Mildred was mother to me, yet I went to her no more with my confidences. My childhood’s book was closed. It was a sweet book, Chris. The tears come into my eyes sometimes when I think of it. But never mind that. Great happiness has been mine as well. I am glad I can talk frankly of my love for you. And the attaining of such frankness has been very sweet. I do love you, Chris. I love you … I cannot tell you how. You are everything to me, and more besides. You remember that Christmas tree of the children?—when we played blindman’s buff? and you caught me by the arm so, with such a clutching of fingers that I cried out with the hurt? I never told you, but the arm was badly bruised. And such sweet I got of it you could never guess. There, black and blue, was the imprint of your fingers—your fingers, Chris, your fingers. It was the touch of you made visible. It was there a week, and I kissed the marks—oh, so often! I hated to see them go; I wanted to rebruise the arm and make them linger. I was jealous of the returning white that drove the bruise away. Somehow,—oh! I cannot explain, but I loved you so!”

  In the silence that fell, she continued her caressing of his hair, while she idly watched a great gray squirrel, boisterous and hilarious, as it scampered back and forth in a distant vista of the redwoods. A crimson-crested woodpecker, energetically drilling a fallen trunk, caught and transferred her gaze. The man did not lift his head. Rather, he crushed his face closer against her knee, while his heaving shoulders marked the hardness with which he breathed.

  “You must tell me, Chris,” the girl said gently. “This mystery—it is killing me. I must know why we cannot be married. Are we always to be this way?—merely lovers, meeting often, it is true, and yet with the long absences between the meetings? Is it all the world holds for you and me, Chris? Are we never to be more to each other? Oh, it is good just to love, I know—you have made me madly happy; but one does get so hungry at times for something more! I want more and more of you, Chris. I want all of you. I want all our days to be together. I want all the companionship, the comradeship, which cannot be ours now, and which will be ours when we are married—” She caught her breath quickly. “But we are never to be married. I forgot. And you must tell me why.”

  The man raised his head and looked her in the eyes. It was a way he had with whomever he talked, of looking them in the eyes.

  “I have considered you, Lute,” he began doggedly. “I did consider you at the very first. I should never have gone on with it. I should have gone away. I knew it. And I considered you in the light of that knowledge, and yet … I did not go away. My God! what was I to do? I loved you. I could not go away. I could not help it. I stayed. I resolved, but I broke my resolves. I was like a drunkard. I was drunk of you. I was weak, I know. I failed. I could not go away. I tried. I went away—you will remember, though you did not know why. You know now. I went away, but I could not remain away. Knowing that we could never marry, I came back to you. I am here, now, with you. Send me away, Lute. I have not the strength to go myself.”

  “But why should you go away?” she asked. “Besides, I must know why, before I can send you away.”

  “Don’t ask me.”

  “Tell me,” she said, her voice tenderly imperative.

  “Don’t, Lute; don’t force me,” the man pleaded, and there was appeal in his eyes and voice.

  “But you must tell me,” she insisted. “It is justice you owe me.”

  The man wavered. “If I do …” he began. Then he ended with determination, “I should never be able to forgive myself. No, I cannot tell you. Don’t try to compel me, Lute. You would be as sorry as I.”

  “If there is anything … if then are, obstacles … if this mystery does really prevent … ” She was speaking slowly, with long pauses, seeking the more delicate ways of speech for the framing of her thought. “Chris, I do love you. I love you as deeply as it is possible for any woman to love, I am sure. If you were to say to me now ‘Come,’ I would go with you. I would follow wherever you led. I would be your page, as in the days of old when ladies went with their knights to far lands. You are my knight, Chris, and you can do no wrong. Your will is my wish. I was once afraid of the censure of the world. Now that you have come into my life I am no longer afraid. I would laugh at the world and its censure for your sake—for my sake too. I would laugh, for I should have you, and you are more to me than the good will and approval of the world. If you say ‘Come,’ I will—”

  “Don’t! Don’t!” he cried. “It is impossible! Marriage or not, I cannot even say ‘Come.’ I dare not. I’ll show you. I’ll tell you.”

  He sat up beside her, the action stamped with resolve. He took her hand in his and held it closely. His lips moved to the verge of speech. The mystery trembled for utterance. The air was palpitant with its presence. As if it were an irrevocable decree, the girl steeled herself to hear. But the man paused, gazing straight out before him. She felt his hand relax in hers, and she pressed it sympathetically, encouragingly. But she felt the rigidity going out of his tensed body, and she knew that spirit and flesh were relaxing together. His resolution was ebbing. He would not speak—she knew it; and she knew, likewise, with the sureness of faith, that it was because he could not.

  She gazed despairingly before her, a numb feeling at her heart, as though hope and happiness had died. She watched the sun flickering down through the warm-trunked redwoods. But she watched in a mechanical, absent way. She looked at the scene as from a long way off, without interest, herself an alien, no longer an intimate part of the earth and trees and flowers she loved so well.

  So far removed did she seem, that she was aware of a curiosity, strangely impersonal, in what lay around her. Through a near vista she looked at a buckeye tree in full blossom as though her eyes encountered it for the first time. Her eyes paused and dwelt upon a yellow cluster of Diogenes’ lanterns that grew on the edge of an open space. It was the way of flowers always to give her quick pleasure-thrills, but no thrill was hers now. She pondered the flower slowly and thoughtfully, as a hasheesh-eater, heavy with the drug, might ponder some whim-flower that obtruded on his vision. In her ears was the voice of the stream—a hoarse-throated, sleepy old giant, muttering and mumbling his somnolent fancies. But her fancy was not in turn aroused, as was its wont; she knew the sound merely for water rushing over the rocks of the deep canyon-bottom, that and nothing more.

  Her gaze wandered on beyond the Diogenes’ lanterns into the open space. Knee-deep in the wild oats of the hillside grazed two horses, chestnut-sorrels the pair of them, perfectly matched, warm and golden in the sunshine, their spring-coats a sheen of high-lights shot through with color-flashes that glowed like fiery jewels. She recognized, almost with a s
hock, that one of them was hers, Dolly, the companion of her girlhood and womanhood, on whose neck she had sobbed her sorrows and sung her joys. A moistness welled into her eyes at the sight, and she came back from the remoteness of her mood, quick with passion and sorrow, to be part of the world again.

  The man sank forward from the hips, relaxing entirely, and with a groan dropped his head on her knee. She leaned over him and pressed her lips softly and lingeringly to his hair.

  “Come, let us go,” she said, almost in a whisper.

  She caught her breath in a half-sob, then tightened her lips as she rose. His face was white to ghastliness, so shaken was he by the struggle through which he had passed. They did not look at each other, but walked directly to the horses. She leaned against Dolly’s neck while he tightened the girths. Then she gathered the reins in her hand and waited. He looked at her as he bent down, an appeal for forgiveness in his eyes; and in that moment her own eyes answered. Her foot rested in his hands, and from there she vaulted into the saddle. Without speaking, without further looking at each other, they turned the horses’ heads and took the narrow trail that wound down through the sombre redwood aisles and across the open glades to the pasture-lands below. The trail became a cow-path, the cow-path became a wood-road, which later joined with a hay-road; and they rode down through the low-rolling, tawny California hills to where a set of bars let out on the county road which ran along the bottom of the valley. The girl sat her horse while the man dismounted and began taking down the bars.

  “No—wait!” she cried, before he had touched the two lower bars.

  She urged the mare forward a couple of strides, and then the animal lifted over the bars in a clean little jump. The man’s eyes sparkled, and he clapped his hands.

  “You beauty! you beauty!” the girl cried, leaning forward impulsively in the saddle and pressing her cheek to the mare’s neck where it burned flame-color in the sun.

  “Let’s trade horses for the ride in,” she suggested, when he had led his horse through and finished putting up the bars. “You’ve never sufficiently appreciated Dolly.”

  “No, no,” he protested.

  “You think she is too old, too sedate,” Lute insisted. “She’s only sixteen, and she can outrun nine colts out of ten. Only she never cuts up. She’s too steady, and you don’t approve of her—no, don’t deny it, sir. I know. And I know also that she can outrun your vaunted Washoe Ban. There! I challenge you! And furthermore, you may ride her yourself. You know what Ban can do; so you must ride Dolly and see for yourself what she can do.”

  They proceeded to exchange the saddles on the horses, glad of the diversion and making the most of it.

  “I’m glad I was born in California,” Lute remarked, as she swung astride of Ban. “It’s an outrage both to horse and woman to ride in a sidesaddle.”

  “You look like a young Amazon,” the man said approvingly, his eyes passing tenderly over the girl as she swung the horse around.

  “Are you ready?” she asked.

  “All ready!”

  “To the old mill,” she called, as the horses sprang forward. “That’s less than a mile.”

  “To a finish?” he demanded.

  She nodded, and the horses, feeling the urge of the reins, caught the spirit of the race. The dust rose in clouds behind as they tore along the level road. They swung around the bend, horses and riders tilted at sharp angles to the ground, and more than once the riders ducked low to escape the branches of outreaching and overhanging trees. They clattered over the small plank bridges, and thundered over the larger iron ones to an ominous clanking of loose rods.

  They rode side by side, saving the animals for the rush at the finish, yet putting them at a pace that drew upon vitality and staying power. Curving around a clump of white oaks, the road straightened out before them for several hundred yards, at the end of which they could see the ruined mill.

  “Now for it!” the girl cried.

  She urged the horse by suddenly leaning forward with her body, at the same time, for an instant, letting the rein slack and touching the neck with her bridle hand. She began to draw away from the man.

  “Touch her on the neck!” she cried to him.

  With this, the mare pulled alongside and began gradually to pass the girl. Chris and Lute looked at each other for a moment, the mare still drawing ahead, so that Chris was compelled slowly to turn his head. The mill was a hundred yards away.

  “Shall I give him the spurs?” Lute shouted.

  The man nodded, and the girl drove the spurs in sharply and quickly, calling upon the horse for its utmost, but watched her own horse forge slowly ahead of her.

  “Beaten by three lengths!” Lute beamed triumphantly, as they pulled into a walk. “Confess, sir, confess! You didn’t think the old mare had it in her.”

  Lute leaned to the side and rested her hand for a moment on Dolly’s wet neck.

  “Ban’s a sluggard alongside of her,” Chris affirmed. “Dolly’s all right, if she is in her Indian Summer.”

  Lute nodded approval. “That’s a sweet way of putting it—Indian Summer. It just describes her. But she’s not lazy. She has all the fire and none of the folly. She is very wise, what of her years.”

  “That accounts for it,” Chris demurred. “Her folly passed with her youth. Many’s the lively time she’s given you.”

  “No,” Lute answered. “I never knew her really to cut up. I think the only trouble she ever gave me was when I was training her to open gates. She was afraid when they swung back upon her—the animal’s fear of the trap, perhaps. But she bravely got over it. And she never was vicious. She never bolted, nor bucked, nor cut up in all her life—never, not once.”

  The horses went on at a walk, still breathing heavily from their run. The road wound along the bottom of the valley, now and again crossing the stream. From either side rose the drowsy purr of mowing-machines, punctuated by occasional sharp cries of the men who were gathering the hay-crop. On the western side of the valley the hills rose green and dark, but the eastern side was already burned brown and tan by the sun.

  “There is summer, here is spring,” Lute said. “Oh, beautiful Sonoma Valley!”

  Her eyes were glistening and her face was radiant with love of the land. Her gaze wandered on across orchard patches and sweeping vineyard stretches, seeking out the purple which seemed to hang like a dim smoke in the wrinkles of the hills and in the more distant canyon gorges. Far up, among the more rugged crests, where the steep slopes were covered with manzanita, she caught a glimpse of a clear space where the wild grass had not yet lost its green.

  “Have you ever heard of the secret pasture?” she asked, her eyes still fixed on the remote green.

  A snort of fear brought her eyes back to the man beside her. Dolly, upreared, with distended nostrils and wild eyes, was pawing the air madly with her fore legs. Chris threw himself forward against her neck to keep her from falling backward, and at the same time touched her with the spurs to compel her to drop her fore feet to the ground in order to obey the go-ahead impulse of the spurs.

  “Why, Dolly, this is most remarkable,” Lute began reprovingly.

  But, to her surprise, the mare threw her head down, arched her back as she went up in the air, and, returning, struck the ground stiff-legged and bunched.

  “A genuine buck!” Chris called out, and the next moment the mare was rising under him in a second buck.

  Lute looked on, astounded at the unprecedented conduct of her mare, and admiring her lover’s horsemanship. He was quite cool, and was himself evidently enjoying the performance. Again and again, half a dozen times, Dolly arched herself into the air and struck, stiffly bunched. Then she threw her head straight up and rose on her hind legs, pivoting about and striking with her fore feet. Lute whirled into safety the horse she was riding, and as she did so caught a glimpse of Dolly’s eyes, with the look in them of blind brute madness, bulging until it seemed they must burst from her head. The faint pink in the white o
f the eyes was gone, replaced by a white that was like dull marble and that yet flashed as from some inner fire.

  A faint cry of fear, suppressed in the instant of utterance, slipped past Lute’s lips. One hind leg of the mare seemed to collapse, and for a moment the whole quivering body, upreared and perpendicular, swayed back and forth, and there was uncertainty as to whether it would fall forward or backward. The man, half-slipping sidewise from the saddle, so as to fall clear if the mare toppled backward, threw his weight to the front and alongside her neck. This overcame the dangerous teetering balance, and the mare struck the ground on her feet again.

  But there was no let-up. Dolly straightened out so that the line of the face was almost a continuation of the line of the stretched neck; this position enabled her to master the bit, which she did by bolting straight ahead down the road.

  For the first time Lute became really frightened. She spurred Washoe Ban in pursuit, but he could not hold his own with the mad mare, and dropped gradually behind. Lute saw Dolly check and rear in the air again, and caught up just as the mare made a second bolt. As Dolly dashed around a bend, she stopped suddenly, stiff-legged. Lute saw her lover torn out of the saddle, his thigh-grip broken by the sudden jerk. Though he had lost his seat, he had not been thrown, and as the mare dashed on Lute saw him clinging to the side of the horse, a hand in the mane and a leg across the saddle. With a quick cavort he regained his seat and proceeded to fight with the mare for control.

  But Dolly swerved from the road and dashed down a grassy slope yellowed with innumerable mariposa lilies. An ancient fence at the bottom was no obstacle. She burst through as though it were filmy spider-web and disappeared in the underbrush. Lute followed unhesitatingly, putting Ban through the gap in the fence and plunging on into the thicket. She lay along his neck, closely, to escape the ripping and tearing of the trees and vines. She felt the horse drop down through leafy branches and into the cool gravel of a stream’s bottom. From ahead came a splashing of water, and she caught a glimpse of Dolly, dashing up the small bank and into a clump of scrub-oaks, against the trunks of which she was trying to scrape off her rider.